Menu
# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Herstellungsland | Plattenfirma | Label | Katalognummer | EAN-Nummer | |
---|---|---|---|---|---|---|---|---|---|---|---|
Delbert McClinton (USA) | |||||||||||
7501 |
Delbert McClinton
(USA)
The Jealous Kind |
LP | 1980 | 1980 | EMI Electrola GmbH | Capitol RECORDS | 1 C 064-86 249 | ||||
Marilyn McCoo & Billy Davis Jr. (USA) | |||||||||||
7502 |
Marilyn McCoo & Billy Davis Jr.
(USA)
I Hope We Get To Love In Time |
LP | 1976 | 1976 | ABC Records | 28 156 XOT | |||||
Van McCoy (USA) | |||||||||||
7503 |
Van McCoy
(USA)
Change With The Times |
7" | 1975 | 1975 | Avco Records | 16 282 AT | |||||
7504 |
Van McCoy
(USA)
Night Walk |
7" | 1976 | 1976 | Avco / H & L Records Corporation | 16 945 AT | |||||
Van McCoy & The Soul City Symphony (USA) | |||||||||||
7505 |
Van McCoy & The Soul City Symphony
(USA)
Disco Baby / The Hustle |
7" | 1975 | 1975 | Avco Records Corp. | 16 049 AT | |||||
George McCrae (USA) | |||||||||||
7506 |
George McCrae
(USA)
I Can't Leave You Alone |
7" | 1974 | 1974 | RCA Victor | XB 02 001, 26.11 217 | |||||
7507 |
George McCrae
(USA)
I Can't Leave You Alone |
7" | 1974 | 1974 | RCA | XB-02 001 * 26.11 217 * | |||||
7508 |
George McCrae
(USA)
It's Been So Long |
7" | 1975 | 1975 | RCA | 2611285 | |||||
7509 |
George McCrae
(USA)
Rock Your Baby |
7" | 1974 | 1974 | TELDEC »Telefunken-Decca« Schallplatten GmbH, Hamburg | KPBO-1004 | |||||
7510 |
George McCrae
(USA)
Sing A Happy Song |
7" | 1975 | 1975 | RCA | 26.11251 | |||||
7511 |
George McCrae
(USA)
That's Love |
7" | 1987 | 1987 | Ariola Eurodisc GmbH, München | Ariola | 109 499-100 | ||||
7512 |
George McCrae
(USA)
Own The Night - The Album |
LP | 1984 | 1986 | Cosmus Records | Cosmus Records | NSV 1418 L | ||||
Lucille Mcdonald (XXX) | |||||||||||
7513 |
Lucille Mcdonald
(XXX)
Alice In Wondeland |
7" | 1977 | 1977 | Gorilla | DGS 100.15-H | |||||
Reba McEntire (USA) | |||||||||||
7514 |
Reba McEntire
(USA)
#1's |
2-CD (Best-Of) | 2005 | 2005 | MCA Nashville | MCA RECORDS | 602498847220 | 602498847220 | |||
7515 |
Reba McEntire
(USA)
Feel The Fire |
LP | 1980 | 1980 | Phonogram, Inc. / Mercury | SRM-1-5029 | |||||
Bobby McFerrin (USA) | |||||||||||
7516 |
Bobby McFerrin
(USA)
Don't Worry, Be Happy |
7" | 1988 | 1988 | EMI-Manhattan Records | MANHATTAN | 003-20 2890 7 | 5099920289072 | |||
Bob McGilpin (USA) | |||||||||||
7517 |
Bob McGilpin
(USA)
Get Up |
LP | 1979 | 1979 | Metronome Musik GmbH | metronome | 0060.247 | ||||
7518 |
Bob McGilpin
(USA)
Superstar |
LP (Gatefold) | 1978 | 1978 | Butterfly Records / EMI | Butterfly | 1C 064-61 639 | ||||
McGuinness Flint (GBR) | |||||||||||
7519 |
McGuinness Flint
(GBR)
Happy Birthday Ruthy Baby |
7" | 1971 | 1971 | Capitol | 1 C 006-80 919 | |||||
Billy McKay (XXX) | |||||||||||
7520 |
Billy McKay
(XXX)
Adios Amigo |
7" | 1976 | 1976 | Ariola | 16 874 | |||||
Maria McKee (USA) | |||||||||||
7521 |
Maria McKee
(USA)
Breathe |
7" | 1991 | 1991 | David Geffen Company, The | GFS 1 | 5021508000175 | ||||
7522 |
Maria McKee
(USA)
+
Hans Zimmer
(DEU)
Show Me Heaven |
Split-7" (Split mit: Hans Zimmer (DEU)) |
1990 | 1990 | CBS / Epic | Epic | 656303 9 | 5099765630398 | |||
Scott McKenzie (USA) | |||||||||||
7523 |
Scott McKenzie
(USA)
San Francisco |
7" (Re-Release) | 1981 | 1981 | CBS | CBS | CBS 8208 | ||||
7524 |
Scott McKenzie
(USA)
San Francisco (Be Sure To Wear Some Flowers In Your Hair) |
7" | 1967 | 1967 | CBS | 2816 | |||||
7525 |
Scott McKenzie
(USA)
San Francisco / Like An Old Time Movie |
7" (Re-Release) | 1967 | 1970 | CBS | S 8208 | |||||
Les McKeown (GBR) | |||||||||||
7526 |
Les McKeown
(GBR)
It's A Game |
7" | 1989 | 1989 | Hansa | HANSA | 112 041-100 | ||||
Rod McKuen (USA) | |||||||||||
7527 |
Rod McKuen
(USA)
Amor, Amor |
7" | 1978 | 1978 | Polydor International GmbH | polydor | 2040 193 | ||||
7528 |
Rod McKuen
(USA)
Amor, Amor |
7" | 1977 | 1977 | Ibach Records | 60 039 | |||||
Sarah McLachlan (CAN) | |||||||||||
7529 |
Sarah McLachlan
(CAN)
Wintersong |
CD (Digipak) | 2006 | 2006 | Arista Records, LLC | ARISTA | 828768150429 | ||||
Malcolm McLaren (GBR) | |||||||||||
7530 |
Malcolm McLaren
(GBR)
Double Dutch |
7" | 1983 | 1983 | Charisma Records Ltd. | Charisma | 812 845-7 | 042281284571 | |||
Malcolm McLaren & The Bootzilla Orchestra (GBR) | |||||||||||
7531 |
Malcolm McLaren & The Bootzilla Orchestra
(GBR)
Waltz Darling |
7" | 1989 | 1989 | Epic | Epic | EPC 654657 7 | 5099765465778 | |||
Malcolm McLaren & The World's Famous Supreme Team (GBR) | |||||||||||
7532 |
Malcolm McLaren & The World's Famous Supreme Team
(GBR)
Buffalo Gals |
7" | 1982 | 1982 | Charisma Records | Charisma | 6000 914 | ||||
Don McLean (USA) | |||||||||||
7533 |
Don McLean
(USA)
Vincent |
7" | 1972 | 1972 | United Artists Records | 35 354 | |||||
7534 |
Don McLean
(USA)
Chain Lightning |
LP | 1978 | 1978 | EMI | EMI | 1c 064-62 280 | ||||
7535 |
Don McLean
(USA)
Don McLean |
LP | 1972 | 1972 | United Artists Records, Inc. | UAS-29399 (UAS-5651) | |||||
7536 |
Don McLean
(USA)
Prime Time |
LP | 1977 | 1977 | EMI Electrola | EMI | 1C 064-60098 | ||||
Penny McLean (AUT) | |||||||||||
7537 |
Penny McLean
(AUT)
1-2-3-4...Fire! |
7" | 1976 | 1976 | Jupiter Records | 16 666 AT | |||||
7538 |
Penny McLean
(AUT)
1-2-3-4...Fire! |
7" | 1976 | 1976 | Ariola Eurodisc GmbH, München | 16 666 AT | |||||
7539 |
Penny McLean
(AUT)
Dance Bunny Honey Dance |
7" | 1977 | 1977 | Jupiter Records | JUPITER-RECORDS | 11 313 AT | ||||
7540 |
Penny McLean
(AUT)
Devil Eyes |
7" | 1976 | 1976 | Jupiter Records | 17 150 AT | |||||
7541 |
Penny McLean
(AUT)
Devil Eyes |
7" | 1976 | 1976 | Jupiter Records | 17 150 AT | |||||
7542 |
Penny McLean
(AUT)
Lady Bump |
7" | 1975 | 1975 | Jupiter Records | 16 069 AT | |||||
7543 |
Penny McLean
(AUT)
Lady Bump |
7" | 1975 | 1975 | Ariola Eurodisc GmbH, München | 16 069 AT | |||||
7544 |
Penny McLean
(AUT)
Mambo Mama |
7" | 1977 | 1977 | Ariola Eurodisc GmbH, München | JUPITER-RECORDS | 11 709 AT | ||||
7545 |
Penny McLean
(AUT)
Midnight Explosion |
7" | 1978 | 1978 | Jupiter-Records | JUPITER-RECORDS | 15 770 AT | ||||
7546 |
Penny McLean
(AUT)
Nobody's Child |
7" | 1977 | 1977 | Jupiter Records | JUPITER-RECORDS | 17 600 AT | ||||
7547 |
Penny McLean
(AUT)
Tut-Ench-Amun |
7" | 1979 | 1979 | Jupiter Records | JUPITER-RECORDS | 100 698-100 | ||||
7548 |
Penny McLean
(AUT)
Wild One |
7" | 1978 | 1978 | Jupiter Records | JUPITER-RECORDS | 15 501 AT | ||||
Tulsa McLean (XXX) | |||||||||||
7549 |
Tulsa McLean
(XXX)
Rock On Elvis |
7" | 1981 | 1981 | RCA Schallplatten GmbH, Germany | RCA | PB 5406 | ||||
Ralph McTell (GBR) | |||||||||||
7550 |
Ralph McTell
(GBR)
The Ralph McTell Collection |
2-LP (Gatefold) | 1978 | 1978 | Pickwick Records | PDA 040 | |||||
7551 |
Ralph McTell
(GBR)
Streets Of London |
7" (Re-Release) | 1971 | 1974 | Famous Music | 1C 006-92 921 | |||||
7552 |
Ralph McTell
(GBR)
Streets Of London |
7" (Re-Release) | 1970 | 1975 | Reprise Records | REP 14 380(N) | |||||
Abigail Mead & Nigel Goulding (USA) | |||||||||||
7553 |
Abigail Mead & Nigel Goulding
(USA)
+
Abigail Mead
(USA)
Full Metal Jacket |
Split-7" (Split mit: Abigail Mead (USA)) |
1987 | 1987 | WB Music Corp. | Warner Bros. Records | 928 204-7 | 07599282047 | |||
Meal Ticket (GBR) | |||||||||||
7554 |
Meal Ticket
(GBR)
Take Away |
LP | 1978 | 1978 | Logo Records | LOGO 1008 | |||||
Meat Loaf (USA) | |||||||||||
7555 |
Meat Loaf
(USA)
Original Album Classics |
5-CD (Pappschuber, Cardsleeve) | 2015 | 2015 | Sony Music Entertainment / Epic | Epic | 88875063672 | 888750636720 | |||
7556 |
Meat Loaf
(USA)
Modern Girl |
7" | 1984 | 1984 | Arista Records | ARISTA | 106 893-100 | ||||
7557 |
Meat Loaf
(USA)
Bat Out Of Hell |
CD + DVD (Pappschuber, Re-Release, Remastered) | 1977 | 2002 | Epic / Sony Music Entertainment | 508653 3 | 5099750865330 | ||||
7558 |
Meat Loaf
(USA)
Bat Out Of Hell |
LP | 1977 | 1977 | Epic | Epic | EPC 82419 | ||||
7559 |
Meat Loaf
(USA)
Bat Out Of Hell |
LP | 1977 | 1977 | Epic | PE 34974 | |||||
Meco (USA) | |||||||||||
7560 |
Meco
(USA)
Star Wars Title Theme |
7" | 1977 | 1977 | RCA | RCA | XB 1028 | ||||
Glenn Medeiros (USA) | |||||||||||
7561 |
Glenn Medeiros
(USA)
Nothing's Gonna Change My Love For You |
7" | 1987 | 1987 | Metronome | metronome | 888610 | 042288861072 | |||
7562 |
Glenn Medeiros
(USA)
Nothing's Gonna Change My Love For You |
LP | 1987 | 1987 | Metronome Musik GmbH | metronome | 832 367-1 | 042283236714 | |||
Glenn Medeiros Feat. Bobby Brown (USA) | |||||||||||
7563 |
Glenn Medeiros Feat. Bobby Brown
(USA)
+
Glenn Medeiros
(USA)
She Ain't Worth It |
Split-7" (Split mit: Glenn Medeiros (USA)) |
1990 | 1990 | Metronome / Amherst Records Inc. | metronome | 877494-7 | 042287749470 | |||
Medicine Head (GBR) | |||||||||||
7564 |
Medicine Head
(GBR)
One & One Is One |
7" | 1973 | 1973 | Polydor International GmbH | 2001 432 | |||||
7565 |
Medicine Head
(GBR)
Rising Sun |
7" | 1973 | 1973 | Polydor International GmbH | 2058 389 | |||||
Medium Terzett (DEU) | |||||||||||
7566 |
Medium Terzett
(DEU)
Ein Loch Ist Im Eimer |
7" (Special Edition) | 1969 | 1969 | Polydor | E 76 592 | |||||
7567 |
Medium Terzett
(DEU)
Der Gänsemarsch |
7" | 1980 | 1980 | Koch-Records International | KOCH records | AS 145.318 | ||||
7568 |
Medium Terzett
(DEU)
Girls Made In Germany |
7" | 1983 | 1983 | Repertoire | REPERTOIRE | RR 171019 | ||||
7569 |
Medium Terzett
(DEU)
Ich Hab' Kein Geld (Weltenbummler Polka) |
7" | 1975 | 1975 | BASF | 06 12351-5 | |||||
7570 |
Medium Terzett
(DEU)
Macht Ja Nichts |
7" | 1970 | 1970 | Deutsche Grammophon Ges. mbH | 2041 119 | |||||
7571 |
Medium Terzett
(DEU)
Der Schatz Im Silbersee |
7" | 1963 | 1963 | Polydor | 52 012 | |||||
7572 |
Medium Terzett
(DEU)
Stimmung, Spaß Und Gute Laune Mit Dem Medium Terzett |
LP (Compilation) | 1981 | 1981 | Miller International Schallplatten GmbH | Europa | 111 765.3 | ||||
Bill Medley (USA) | |||||||||||
7573 |
Bill Medley
(USA)
You've Lost That Lovin' Feelin' |
7" (Re-Release) | 1988 | 1989 | Curb Records | Ariola | 112 169 | ||||
Étienne-Nicolas Méhul (FRA) | |||||||||||
7574 |
Étienne-Nicolas Méhul
(FRA)
Joseph |
2-CD-R (Mono) | 2006 | 2006 | Cantus Classics | CANTUS CLASSICS | 5.00869 | 4032250086936 | |||
Mel & Kim (GBR) | |||||||||||
7575 |
Mel & Kim
(GBR)
F.L.M. |
7" (Rotes Vinyl) | 1987 | 1987 | Blow Up | BLOW UP | INT 110.732 | ||||
7576 |
Mel & Kim
(GBR)
Mel & Kim (Amiga Quartett) |
7" (Compilation) | 1987 | 1987 | Amiga | 5 56 174 | |||||
7577 |
Mel & Kim
(GBR)
Respectable |
7" | 1987 | 1987 | Blow Up Records Ltd. | BLOW UP | INT 110.715 | ||||
7578 |
Mel & Kim
(GBR)
Showing Out |
7" | 1986 | 1986 | Intercord Ton GmbH | BLOW UP | INT 110.707 | ||||
7579 |
Mel & Kim
(GBR)
That's The Way It Is |
7" | 1988 | 1988 | Supreme Records Company Ltd. | blow up | INT 110.740 | ||||
7580 |
Mel & Kim
(GBR)
That's The Way It Is |
7" (Rotes Vinyl) | 1988 | 1988 | Supreme Records Company Ltd. | BLOW UP | INT 110.740 | ||||
7581 |
Mel & Kim
(GBR)
F.L.M. |
LP (Weißes Vinyl) | 1987 | 1987 | Supreme Records Company Ltd. | BLOW UP | INT 145.527 | 4006751455270 | |||
Melanie (USA) | |||||||||||
7582 |
Melanie
(USA)
Ballroom Streets |
2-LP (Live, Gatefold) | 1978 | 1978 | Tomato Music Company, Ltd. | TOM-2-9003 | |||||
7583 |
Melanie
(USA)
The Best...Melanie |
2-LP (Compilation, Re-Release) | 1972 | 1976 | Buddha Records | BDS 5664-2 | |||||
7584 |
Melanie
(USA)
Melanie (Amiga Quartett) |
7" (Compilation) | 1982 | 1982 | Amiga | 5 56 035 | |||||
7585 |
Melanie
(USA)
Nickel Song |
7" | 1971 | 1971 | Buddah Records | 2011 071 | |||||
7586 |
Melanie
(USA)
Unplugged |
CD | 1997 | 1997 | Disky Communications Europe B.V. | RCA | DC 879982 | 0724348799821 | |||
7587 |
Melanie
(USA)
Candles In The Rain |
LP (Gatefold) | 1970 | 1970 | Buddah Records | 2318 006 | |||||
7588 |
Melanie
(USA)
The Good Book |
LP (Special Edition, Gatefold) | 1971 | 1971 | Polydor Records Ltd. (UK) | 2322 001 | |||||
7589 |
Melanie
(USA)
My Name Is Melanie |
LP (Special Edition) | 1970 | 1970 | Buddah Records | 179 083 | |||||
7590 |
Melanie
(USA)
+
Melanie & The Edwin Hawkins Singers
(USA)
The Four Sides Of Melanie |
Split-2-LP (Compilation, Re-Release, Gatefold)
(Split mit: Melanie & The Edwin Hawkins Singers (USA)) |
1972 | 1972 | Buddah Records | BDS 95005 | |||||
Melissa (XXX) | |||||||||||
7591 |
Melissa
(XXX)
Hanky Panky With Joe |
7" | 1982 | 1982 | Aladin / CBS | Aladin | A 2393 | ||||
7592 |
Melissa
(XXX)
We All Live Together So Bad |
7" | 1983 | 1983 | EMI | EMI | 1C 006 1654647 | ||||
John Cougar Mellencamp (USA) | |||||||||||
7593 |
John Cougar Mellencamp
(USA)
The Lonesome Jubilee |
LP (Gatefold) | 1987 | 1987 | Mercury Records | Mercury RECORDS | 832 465-1 | 042283246515 | |||
Harold Melvin & The Blue Notes (USA) | |||||||||||
7594 |
Harold Melvin & The Blue Notes
(USA)
Don't Leave Me This Way |
7" (Re-Release) | 1975 | 1977 | CBS Schallplatten GmbH, Germany | Philadelphia International Records | PIR S 4909 | ||||
Memo (XXX) | |||||||||||
7595 |
Memo
(XXX)
Everybody Loves A Hero |
7" | 1986 | 1986 | Polydor | polydor | 883 765-7 | 042288376576 | |||
Men At Work (AUS) | |||||||||||
7596 |
Men At Work
(AUS)
Down Under |
7" (Re-Release) | 1981 | 1982 | Columbia Records / CBS Inc. | 53-03303 | |||||
7597 |
Men At Work
(AUS)
Who Can It Be Now? |
7" | 1981 | 1981 | CBS Records Australia Ltd. | CBS | CBSA 1611 | ||||
7598 |
Men At Work
(AUS)
Business As Usual |
LP | 1981 | 1981 | CBS Records Australia Ltd. | S 85423 | |||||
Men Without Hats (CAN) | |||||||||||
7599 |
Men Without Hats
(CAN)
I Got The Message |
7" | 1982 | 1982 | Virgin | STATIK | 105 925-100 | ||||
7600 |
Men Without Hats
(CAN)
The Safety Dance |
7" | 1982 | 1982 | Virgin Records Ltd. | STATIK | 105 507-100 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.